Pokemon Scarlet and Violet are impressive Pokemon adventures, filled with incredible ambition and some enjoyable new Pokemon to track down and train. However, this latest entry is also burdened with excessive performance issues, awful texture work, and a ton of other issues that Nintendo should be ashamed of.

GunGrave G.O.R.E from a distance looks like it should be a competent action game, but its shooting, special attacks, stuns, and presentation are all disappointingly frustrating and never feel functional. While it’s not the worst game I’ve ever completed, it certainly ranks up there.

Ragnarök is the direct follow-up to 2018’s God of War, seeing the events of that adventure unfold as the nine realms prepare for Ragnarök. Both Kratos and Atreus will have to discover the truth behind a prophecy that has them at the forefront, destined to follow their path, no matter where it may lead.

Evil West is a bombastic and action-packed Wild West adventure filled with vampires and other grotesque abominations. As Jesse Rentier, you’ll use a wide assortment of weapons and a lightning-infused gauntlet to smash and explode everything into satisfying gory bits.

Persona 5 Royal is a masterwork of its genre. This is a game that is beyond refined and stands atop its peers. Its characters, story, and stylish charm fill every second of its 100+ hour length, and the nearly unlimited freedom of tinkering with everything and everyone around you to suit your needs makes every possible second feel incredibly worthwhile and rewarding.

Bayonetta 3 is great for the elements that make it a Bayonetta game. Combat and weapon variety is some of the series best with a wealth of options that constantly impress. However, the game’s visuals are often wildly inconsistent and its multiverse narrative is just downright disappointing.

While there are elements of a solid game here in Gotham Knights, it sticks far too close to the DNA of what has worked better before. Nearly every aspect of this adventure is built on the foundation of bad ideas, no matter how well some of them do tend to work. It can be fun, sure, but it could have been so much better.

Mario + Rabbids: Sparks of Hope is a damn impressive sequel that not only refines what came before but does it in such a way that it makes every single aspect of the experience better. From freeform movement and voice lines for your Rabbids companions, this adventure is certainly one worth taking, even if the Switch struggles with it from time to time.

A Plague Tale: Requiem is a sequel that refines what came before, offering just enough tools and new mechanics to bring a much-needed freshness to its gameplay. While the game does suffer from a few technical issues, it is nonetheless a gorgeous and often top-tier product.

No Place for Bravery is a pixelated hack and slash title with several parallels to that of God of War. Thorn, a man with a violent past, returns to bloodshed once again alongside his son as he attempts to track down his kidnapped daughter, taken in front of him by a Warlock who has seemingly resurfaced.

Glowfish Interactive might not be a studio you are familiar with. The Belgium-based developer has put out only a few titles so far, but with Trifox, that just might change. Trifox sees you taking on an evil pirate that has stolen your TV remote, tracking them down across three sizable worlds before confronting them once and for all.

Kart Racers 3: Slime Speedway, feels developed in mind to address the criticisms of its past, a racer placed in an already crowded genre where each and every kart racer out there seems to be taking a page out of the Mario Kart playbook. While it is undoubtedly a better and more feature-rich release than its predecessors, it still lacks that certain something to push it over the finish line.

TMNT: The Cowabunga Collection is without a doubt, a treasure trove of turtle power. While personal preference and nostalgia will play into how you feel about any of the 13 included games, each and every title is the best version available, some with online play for the very first time.

Soulstice pulls a great deal of inspiration from the Devil May Cry series, especially that of its reboot in DmC. Briar and Lute, two sisters fused into a single body, must investigate a tear in the fabric of reality, spewing forth deadly creatures and powerful wraiths, all while attempting to not become the very thing they are tasked with stopping.

Steelrising is French developer, Spiders, take on the Soulslike, set in an alternative history where the French Revolution was fought with an army of mechanized creatures called Automats. As an Automat herself, Aegis will track down the man responsible for this threat, all while diving into her very own unique origins.

The Legend of Heroes is one of the most interesting JRPG sagas out there. So much so that a group of dedicated fans created their own unofficial English translation of Trails from Zero, one of a few entries that never saw an official release overseas. However, thanks to a collaboration with the publisher, it’s here, it’s official, and it’s damn good.

Hardspace Shipbreaker has a great deal in common with another game I played this year; Powerwash Simulator. While the games couldn’t be any more different, the mundane act of performing simple labor still places both titles in a very similar lane. Stepping out of my airlock to dismantle a lifeless ship piece by piece kept my interest for several hours, even if some tedium started to present itself.

This latest iteration of Saints Row is a full-on reboot, taking bits and pieces of the previous games under the control of a whole new boss with a brand new crew. While the open-world sandbox nature of the game is still as fun as ever, nearly everything else is bland, boring, and filled to the brim with a vast array of technical issues.

Puzzle Bobble 3D: Vacation Odyssey takes the formula of the past games and transfers them to a 3D world, bringing all the same appeal and charm of its past, as well as a temperamental aiming system that sadly can ruin the fun.

Xenoblade Chronicles 3 is Monolith Soft’s greatest achievement, crafting a world and narrative so breathtakingly stunning that I relished every last minute of my 140-hour playthrough. While it certainly has the Switch’s hardware bursting at the seams, it nonetheless impresses at nearly every turn. In short, it’s an undeniable masterpiece.